It’s not just some adult idea of what a teenager would do being foisted on them.” This doesn’t feel like what a young person would say in this moment,” he said. Like, People are more woke than this now. Like, Yeah, this joke feels a little dated now. As the gulf between Schwartz and his creations grows ever larger, he finds himself leaning more on his actors to “tell me if something feels like bullshit…. When Schwartz started out, he was only a decade older than his teenage characters. So I think kids will be able to relate to these characters, even if they’re not carrying iPhones.” “There’s an innocence to the book that didn’t feel like it would make sense in 2019.but the things that you respond to when you watch Rebel Without a Cause or The Breakfast Club are timeless: feelings of loneliness and wanting to fit in, and first love and first loss, and first friendship.” He remembered his own experience as a teen watching Dead Poets Society, which was set at a boarding school in the 1950s: “I felt their emotional journey and was nostalgic for a time that I did not live through. “It was hard to imagine Alaska’s Snapchat filters or the Colonel’s Instagram Stories,” he said, wincing at the thought. Aside from the chance to revisit his musical favorites, Schwartz said he chose the retro time frame because it offered a kind of tech-free unselfconsciousness that would be impossible for a show set today. and is drenched in the kind of sweetly mawkish indie rock that was running on a loop in Seth Cohen’s brain. It takes place in the same moment as The O.C. That doesn’t mean Looking for Alaska lacks for nostalgia. After all, he said, “The audience is going to be a 2019 audience watching.” By Steve Dietl/Hulu.Īlaska is also fashioned as a forthright feminist in the series who lectures Miles on porn and objectification and has “strong feelings on ironing and the patriarchal paradigm.” This seems way too woke for a drama that is set in 2005, but Schwartz is fine with taking some cultural liberties. He threw out the word “surreal” a couple times, his furrowed brow signaling genuine amazement that his 14-year-long obsession had finally sprung to life.Ĭharlie Plummer and Kristine Froseth in Hulu's Looking for Alaska. Sitting in the coffee bar of the Beverly Hilton just a day after he’d wrapped shooting on Looking for Alaska, Schwartz looked as exhausted as you’d expect, and just a little dazed. There’s also a Gossip Girl reboot being developed for HBO Max, along with a first-look TV deal with Apple TV+. Schwartz and his producing partner, Stephanie Savage, currently have multiple shows on the go, including Hulu’s Marvel drama Runaways, the CW’s Dynasty, and newly premiered Nancy Drew. juggernaut The Fault in Our Stars, and Schwartz as cocreator of Gossip Girl and Chuck. Instead of a movie, Looking for Alaska will unfurl as an eight-part limited series premiering on Hulu October 18.Īfter that first thwarted attempt at collaboration, the two men separately became cult figures in the junior league of pop culture: Green as author of Y.A. But the pair couldn’t get the project made-until now. Green, in turn, loved Schwartz’s screenplay. The Alaska manuscript, by a then obscure debut novelist called John Green, struck him as a perfect movie: the bittersweet tale of a teen who goes off to a southern boarding school in search of adventure and finds both love and tragedy. TV and film possibilities shimmered in front of him. In the wake of glossy yet geeky teen confection The O.C., Schwartz was a Hollywood wunderkind: At 26, he was the youngest person ever to create and run a network series. Schwartz is additionally repped by Mikkel Bondesen.Josh Schwartz first read Looking for Alaska 14 years ago. Schwartz and Savage are repped by WME and attorney Joel McKuin. Schwartz and Savage’s current projects include the Gossip Girl reboot, set to premiere July 8 on HBO Max, the CW’s Dynasty and Nancy Drew, which is heading into its third season. ![]() Knopf in 2015, was a New York Times Notable Book and named one of the Best Books of the Year by The Washington Post, Los Angeles Times, NPR, Vogue, San Francisco Chronicle, and The Wall Street Journal. Fake Empire’s Lis Rowinski will serve as co-executive producer.Ĭity on Fire, published by Alfred A. Schwartz and Savage will write all eight episodes and will serve as showrunners and executive producers under Fake Empire. As the crime against Samantha is investigated, she’s revealed to be the crucial connection between a series of mysterious city-wide fires, the downtown music scene, and a wealthy uptown real estate family fraying under the strain of the many secrets they keep. Her friends’ band is playing her favorite downtown club but she leaves to meet someone, promising to return. Samantha Cicciaro is alone there are no witnesses and very little physical evidence. In City on Fire, an NYU student is shot in Central Park on the 4th of July, 2003.
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